On Sunday, we did our usual grocery run before I cleared the driveway of the remaining ice. I thought it might take an hour. It took almost three. Only NPR programming got me through. When Says You ended at five, so did I. We had talked about catching Avatar later in the day, and I found a theatre showing it in two-and three-D. We arrived at the cinema about 20 minutes before the movie, and we discovered a shocking brain failure by the staff: They scheduled five movies to start at the same time, including the two viewings of Avatar. The lobby was a mob scene with one guy -- one small, old guy -- directing traffic. The vast majority of the ticket holders were there to see the film in 3D, and that left us in a small but crammed theatre.
It's a gigantic movie. About halfway through it, I realized I hadn't seen a film on this scale since Lord of the Rings. I mentally declared that it took four years for an effects-heavy film to compete with that trilogy's new standard of FX. When the film ended, I notice that WETA, the Rings FX people were the prominent FX company for the film. Of course.
It's clearly a step up from the Robert Zemeckis motion-capture animation style (Polar Express, Beowulf, Christmas Carol), but it also cheated a bit by focusing on non-humans to carry the film. Still, it had sweep and more than a little art doing the heavy lifting. It's impressive. It's also the definitive Cameron film, combining all his previous films. There's even a nod to True Lies when a character dangles by a locked missile. I suspect that felling of the big tree surpassed the emotional wallop of all of 2012. I'm glad I saw it. Glad Sigourney Weaver had a prominent role too.
We snuck into the soon-to-close Krispy Kreme for our post-movie ritual and drove home. I slept hard. I was exhausted.
Picture of the Day
We all fear the Math Witches.
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